Videos for: contemporary |
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Nico and Allie - Contemporary (with comments)
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I uploaded first without comments because is faster :)
Choreographed by Stacey Tookey
Song: Permanent by David Cook (!!!)
SYTYCD CA
TOP 4 |
Views:
11258
59
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| Time:
07:32 |
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Contemporary dance in progress: Jamie Winbank's "Hide & Seek" at QL2 Centre for Youth Dance
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Work in progress - this is Day 2 in working on a piece by Jamie Winbank for QL2 Centre for Youth Dance's "On Course" short works season.
Working title is "Hide and Seek". 'The piece explores the hidden secrets behind finding the search for meaning, particularly in dance. It relates to the honesty behind society, from innocent secrets, chinese whispers to world wide calamities (in effect). '
The dancers are Pia, Emily, Rene, Amanda, Paul, Ella and Gabi. Music from Conjure One, 'Pilgrimage.'
Its very early days - come and see the final piece:
Seven young choreographers from tertiary dance courses around Australia will come to Canberra over two weeks from Monday to create "On Course" - an evening of new short dance works. Several are originally from Canberra, having got their grounding in dance with QL2 Centre for Youth Dance's "Quantum Leap" ensemble.
Jamie Winbank, Emily Chapman, Caitlin McKenzie, Gemma Dawkins, Jacqui Cornforth, Ella-Rose Trew and Amanda Phillips are working with dancers Abby Johnson, Gabriel Comerford, Gabrielle Kirchner, Lucy Ingham, Luke Curry Richardson, Paul Jackson, Pia Moore, Rene Miller and Jake Kuzma.
"On Course" grew out of QL2's "Hot To Trot" program, where senior Quantum Leap dancers create short works -- seen this weekend in Canberra. Artistic Director Ruth Osborne decided to open it up to Quantum Leapers who had left Canberra to study, and wanted to 'come home' to show what they were doing. And now, dancers around Australia who have heard about it from Quantum Leapers are wanting to be part of it, so she created "On Course" specially for them.
The works will be presented in a short performance season - three shows only - over the weekend of 13 and 14 December.
On Course
6pm & 8pm Saturday 13 December,
6pm only Sunday 14 December 2008
QL2 Centre for Youth Dance Theatre
Gorman House Arts Centre, Ainslie Avenue Braddon, ACT Australia
$10 full, $5 concessions — tickets at the door 30 minutes before each show. |
Views:
1805
3
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| Time:
02:45 |
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Adult Contemporary / Continuous Partial Awareness
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NEW MUSEUM OF CONTEMPORARY ART
CONTINUOUS PARTIAL AWARENESS
a NEW premiere performance
Nov 14th @ 830 PM
235 Bowery, New York, NY
addition info
http://rhizome.org/events/
TEAM GALLERY
ADULT CONTEMPORARY
an art show
Nov 14 - Dec20th, reception Nov14, 6-8pm.
83 Grand Street
additional info and official press release
http://www.teamgal.com
http://www.beigerecords.com/cory/
http://www.beigerecords.com/cory/
http://www.beigerecords.com/cory/
http://www.beigerecords.com/cory/
http://www.beigerecords.com/cory/
http://www.beigerecords.com/cory/
http://www.beigerecords.com/cory/
http://www.beigerecords.com/cory/
http://www.beigerecords.com/cory/
I hope 2 c u there,
Cory |
Views:
6441
4
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| Time:
01:14 |
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BZ Contemporary - Sonya Tayeh Groups
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MEET SONYA TAYEH
Born in Brooklyn, New York and raised in Detroit, Michigan, Sonya Tayeh is a highly accredited choreographer and teacher. HeR repertoire in contemporary funk and progressive contact are the new choreographic styles in the dance world. She has a powerful artistic force and a unparalleled knowledge of dance, which is evident in all of her works. Sonya's pieces have been seen in many competition routines, dance conventions, dance companies, professional shows, and recently on So You Think You Can Dance. With her passionate love of dance, Sonya inspires numerous students, which is her ultimate goal as a teacher. Sonya Tayeh is the future of dance. She is excellence.
Personal Interests:
Sonya's personal interests include educating dance students around the world, arts and crafts, and being with her friends and family. Her personal inspirations in life are her family, Jiri Kylian, Frida Kahlo, Twila Tharp, and any other innovative artist. Plus, she's got a killer sense of style!
DISCLAIMER
For Inspirational purposes only.
Please respect the creative work of this choreographer. Duplicating or recycling these moves in any shape or form for your own use (without permission) is prohibited and "shameful." |
Views:
9566
33
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| Time:
09:59 |
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SYTYCD: Lacey and Kameron Contemporary
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Lacey and Kameron's contemporary routine to Dancing by Elisa. Top 20 |
Views:
28052
61
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| Time:
06:54 |
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Interview with Gloria Cheng - contemporary classical pianist...
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talks with innerviewworld in Los Angeles |
Views:
1198
5
ratings |
| Time:
07:44 |
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Contemporary noise quintet - Army of the sun
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Music video for polish band made by No Sleep Production 2008.
You can find this track on "Pig Inside The Gentleman" album.
www.nosleepproduction.com
www.myspace.com/nosleepproduction
www.cnq.electriceye.pl
www.myspace.com/cnquintet |
Views:
5399
25
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| Time:
06:23 |
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War and Democracy in Ancient and Contemporary Middle East
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Victor Davis Hanson, Professor of Classics at California State University at Fresno, leads a discussion on the nature of war throughout civilization and how it might enlighten us about the contemporary troubles in the Middle East. Presented as part of UC Santa Cruz's Jewish Studies Lectures. [8/2004] [Public Affairs] [Humanities] [Show ID: 8856] |
Views:
2108
12
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| Time:
01:16:40 |
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Education |
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Grand Slam bomb
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The Grand Slam (Earth Quake bomb), was a very large freefall bomb developed by the British aeronautical engineer Barnes Wallis (who also made the bouncing bomb) in late 1944. At a weight of 9.98 t (22,000 lb) the Grand Slam was almost twice the weight of his previous large bomb, the 5.44 t (12,000 lb) Tallboy. Both weapons were intended for use against large and protected buildings, structures against which smaller bombs would be ineffective. The idea of the earthquake bomb was explored by Barnes Wallis at the very start of World War II but at the time there were no aircraft capable of carrying the 10-ton weapon he envisaged (notwithstanding Wallis's suggestions to build one, a six-engine high-altitude bomber called "Victory"). Wallis returned to his designs in the latter part of the war and the first earthquake bomb he developed was the 5-ton Tallboy. It proved effective in demolishing large structures, including heavily-protected bunkers (it was thus an early "bunker buster").
The reasoning behind the earth penetration bomb is that explosive energy is transmitted more efficiently in a non-compressible medium. Barnes Wallis used the non-compressible nature of water as a factor in the bouncing bombs. The earthquake bomb was designed to penetrate the earth and explode some 30 m down. An explosion carried through the medium of the earth would thus cause damage for a much greater distance than if the bomb were to explode in open air. Wallis also understood that bomb aiming was very poor at the time. The major advantage of the earthquake bomb, therefore, was that it could miss by hundreds of yards and still achieve the desired result. The intention before the war started was to destroy dams, railway bridges and general infrastructure. Thus it is possible that German industry and infrastructure could have been seriously damaged with minimal loss of civilian lives, compared to area bombing. His ideas were not fully understood, appreciated, or even realisable at the time.
The design was highly aerodynamic, with a long tail incorporating offset fins, causing it to spin as it fell and stabilizing it, due to the gyroscopic effect, much as the spin imparted by the rifling of a gun barrel increases the accuracy of a bullet. The spin also allowed the bomb to reach supersonic speeds, as the increased stability enabled it to pass through the sound barrier without wobbling or being thrown off-course.
The Grand Slam had a much thicker case than typical World War II bombs, so it would survive the impact of hitting a hardened surface. The hardened steel bomb casing was cast in one piece in a sand mould using a concrete core. Torpex was then poured in, bucket by bucket. When filled, the hot molten explosive took a month to cool down and set, greatly limiting production. Like the Tallboy, the rate of production and material and manpower investment in each bomb meant that aircrews were told to land with their unused bombs on board, rather than jettison them into the sea if a sortie was aborted.
When dropped from high altitude onto compacted earth, the Grand Slam would penetrate over 40 metres into the ground. The explosion would leave a camouflet (cavern) which would undermine foundations of structures above, causing collapse. This is what happened to the Bielefeld railway viaduct, the first enemy target destroyed by a Grand Slam.
The 'B1 (Special)' Lancaster bomber could only carry one at a time and it had to be dropped from 22,000 feet (6700 m) which limited its accuracy. The Grand Slam was first used on March 14, 1945 when the Royal Air Force No. 617 "Dambusters" Squadron, lead by Squadron Leader C.C. Calder, attacked the Bielefeld railway viaduct destroying two spans of the viaduct.[1]
The viaduct at Arnsberg was bombed on 15 March 1945 with 2 Grand Slams and 14 Tallboy bombs but they failed to bring the viaduct down. Four days later on 19 March 1945 another attack by No 617 Squadron using 6 Grand Slams was successful and a 12 m (40 ft) gap was blown in the viaduct. Farge is a small port on the Weser River north of Bremen, and was the site of an oil-storage depot and the Valentin submarine pens that were attacked by the RAF on 27 March 1945. The pens had a ferrous concrete roof up to 7 metres (23 feet) thick. Two s penetrated parts of the pen with a 4.5 m-thick roof.
Grand Slams were also successfully used against the Huuge and Brest submarine pens. By the end of the war 41 s had been dropped, mainly against bridges and viaducts. |
Views:
59214
66
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| Time:
02:12 |
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Cedric & Shauna - Contemporary
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This is by far my favorite contemporary routine of this season. In contrast to most people I thought it was really really good and I felt that Cedric did more then just sit in the corner. He brought emotion to the dance.
(Week 3 - Top 16)
Song: I Thought We Had - The Family Stand |
Views:
62982
105
ratings |
| Time:
10:57 |
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Allison and Ivan Dance
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My favorite ivison routines! Season 2 was the bestttt!
Why
Libertango
Sexy Love |
Views:
469217
844
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| Time:
06:11 |
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On Faith Alone
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This is the premier video for Robert Pierre |
Views:
29745
159
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| Time:
04:23 |
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